![]() ![]() How to hold and use skirt in the Bomba dancing is unique. Petticoats were handmade to show them off in a flirtatious way for men and to create envy among other female dancers. The women used to wear turbans, white shirt and skirt with petticoat. The Bomba traditional dress for men is white hat, white shirt and black or white pants. ![]() Traditionally, “Bailadores” (male dancers) perform their “Piquetes” with their body and the “Bailadoras” (female dancers) perform with the body and / or skirt with the petticoat. This is because the dancer is having a musical conversation or communication with the Bomba Drum (Primo) through his/her “Piquetes”. During the dance, sometimes the audience shouts "Speak!". The “Piquetes” must have "elegance, firmness and shape." The "figures" are the “Piquetes” that must be executed with "elegance" and "firmness". Finally, when the dancer finishes providing the “Piquetes”, bows again to the Primo Barrel and the next dancer does exactly the same protocol. Also, the dancer challenges the Primo Barrel Player (“Tocador/a”) by doing a rhythmic dialogue and making it difficult to follow him/her. The dancer, with his/her “Piquetes” would be creating his/her own music and history, inspired by the song. The dancer greets the Primo Barrel and begins its “Piquetes” (improvised Bomba steps). The dancer enters the Batey to stroll around, showing off, marking their territory and space. In the Batey (sugar workers' town) or a Sobera'o (circle or dance area), the Subidor will score sounds for the steps that the dancer makes, and the Buleador or Follower, follows the rhythm that is constantly played until the “Cantador/a” (singer) says so. In Bomba, there are 4 instruments: a Cuá, a Maraca, the Buleador drum and the Subidor drum. This represents the Puerto Rican cultural mix. It is Puerto Rican because it has elements of the Taínos ( Arawaks) like the maraca and Cuás (2 wooden sticks previously played at the side of the Bomba Barrel), the Spanish like the footsteps in the dancing and the greatest influence of is the African native. The slaves came from different African tribes and through this music, they could communicate. African slaves were brought to Puerto Rico by the Spaniards during the 1600s. Puerto Rican Bomba is the first native music of Puerto Rico, created in the sugar plantations by slaves more than 400 years ago. Also, Puerto Rican migrants have brought the tradition to some parts of the U.S. Today it's practiced as a communal activity in its centers of origin in Loíza, Santurce, Mayagüez and Ponce. While Bomba can be used as the generic name for a number of rhythms, it is truly about a creative, interactive relationship between dancers, percussionists and singers. Its origins are rooted in the island's history of African slavery but today has evolved into a community expression of Puerto Rican culture. Bomba is both a traditional dance and musical style of Puerto Rico. ![]()
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